Category Archives: e-Book Publishing

If you’re looking to publish your book for the e-Reader markets, this may be helpful.

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The Future of Publishing – One Man’s Perspective

THIS POST IS FOR READERS and WRITERS:

The discussion of the publishing industry and its place in the future continues to rage on the interwebs. The Amazon/Hachette debate has really fired it up a notch, and folks are screaming from both sides of the debate.

The latest piece to get me going was Why We Need Independent Bookstores More Than Ever on the Publishing Perspectives website. I felt the need to weigh in on the conversation, and did so as follows:

~~Hi, I’m a buggy maker. You know, as in horse and buggy? I believe we must stop immediately this move toward automobiles. Oh sure, Ford claims they’re doing it just to help people move about from Point A to Point B more quickly, and to provide convenience and productivity to their lives, but I know the real reason: they’re trying to put me out of business and become a monopoly! Please help! We must stop Henry Ford before he takes over the world! We buggy makers must stick together to beat back this demon.

~~I’m truly fascinated that publishers are choosing to fight technological advances, rather than adapt to them to make their businesses safe and profitable well into the future. It’s so damned shortsighted. Their stubbornness will be their undoing, in the end. Only those willing to adjust in a way that’s fair to both authors and readers will survive.

~~Barnes and Noble is dead. They may still be kicking, but that’s just residual nerves and muscle twitches. The mega bookstore, know also as bookstaurus megalasaur, is extinct. And independents? They’re most likely going to survive as Joe’s Garage, Coffee Shop & Bookstore, or something like that. Stores dedicated solely to the sales of books are on the way out, lest they be high-end collectors’ shops.

~~So time for the publishers to wake up and smell Joe’s coffee. Stop kicking and screaming and clawing at the big bad Amazon, and offer consumers a fair alternative. Compete. Or die.

Anyone who thinks print books will remain the dominant format for readers for more than a few years down the road, should immediately visit their neurologist for an MRI… or their psychiatrist. The Star Trek-ification of America (and soon the world) is well under way. Kindergarteners are now getting tablets to read on in some districts, and today’s youth are accustomed to doing virtually everything online; reading eBooks will be second nature to them.

The traditional publishing model is simply no longer viable, but I suppose it’s no mystery that they are unwilling to go gently into that good night. The sad part is that they needn’t die; they need only evolve to accommodate the new market paradigm. I say this as someone who co-founded and now runs a hybrid small press publisher, Evolved Publishing.

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When we first formed EP, we did so with a couple of driving forces in mind: 1) Where is this market going in the next 10-15 years? 2) What sort of publisher would we want to affiliate with as authors?

The first question was critical for obvious reasons. We naturally wanted to form a business model that would make sense given the new market paradigm; we didn’t want to be obsolete in 5 years. The second question was critical because we viewed our primary competition not as traditional publishers–whom we fully expected, quite frankly, to self-destruct at some point–but rather the burgeoning self-publishing option.

And so we moved forward with a few key points in mind:

  • eBooks are the future of reading.
  • As happened in the music industry, everything would move to the internet.
  • Consumers would find new, cheap options, meaning pricing pressures would be a big part of our business.
  • Content would be king, meaning we had to attract quality independent authors who produce quality books.

First Bullet Point Above: Yes, we offer print books, but not via traditional typesetting. Rather, we offer high quality POD (Print-on-Demand) books to keep our overhead costs to a minimum, and to thereby offer both authors and readers the best possible deal.

Second Bullet Point Above: In addition to eBooks and POD paper books, we also offer audiobooks and foreign translations where it makes sense, and again, we keep overhead to an absolute minimum. Furthermore, we all work from home offices – no buildings, no high overhead related to those costs. We live in an electronic world – the internet age. The office building is simply not needed.

Third Bullet Point Above: Whoever it was in traditional publishing (and yes, they all colluded) that thought it was fair to consumers to price eBooks, for which the production costs are so low, higher than paperbacks, for which the production costs are so high, simply missed the boat. This is grossly unfair to consumers, and the backlash was inevitable. Now, there’s something to be said for the value of “content”–the author’s hard-fought battle to create the book, and all their blood, sweat, tears, and talent–and pricing an ebook with fair author consideration in mind. Still, the actual “production” costs are limited, and so the ultimate price should be almost entirely about content. At EP, almost all of our eBooks are priced at $2.99 to $4.99–only a few exceptions. You’ll never see an eBook from EP priced at $12.99 or $14.99. Ridiculous!

Fourth Bullet Point Above: We must have great content to offer readers. That means that our guiding philosophy at EP is absolutely critical: Quality is Priority #1! Every book must be written well, edited well, and presented (formatted) well. Period. Especially in the new wild wild wild wild wild wild west known as self-publishing, quality matters. The gatekeepers can still serve a valuable function for consumers, and we at Evolved Publishing seek to provide readers this simple assurance: if you purchase one of our books, you’ll get a professional product.

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Make no mistake about it, folks, traditional publishers set up their business model with only one thing in mind: themselves. Unless you end up being one of their mega-superstars, you can expect as an author to be treated with a certain amount of contempt and unfair financial consideration. Don’t get me wrong; as a business owner I understand the value of profit! We can’t stay in business without it. But fair is fair, and traditional publishers have abused most authors for far too long. Well, now that the market has evolved and authors have new options, and consumers have new options, traditional publishers are going to pay a dear price.

At Evolved Publishing, we recognized first and foremost that the authors are the stars of the show, not us. Without the extraordinary authors we’ve attracted to EP (too many to name here without leaving someone out), we would not be what we are. How do we attract them? For one, we pay them a fair, even attractive royalty rate. After all, they don’t have to publish with us; they can publish themselves. Second, we provide them with first-rate editing, excellent cover art & illustrations, and professional formatting. Third, we work to coordinate group marketing activities that are more about sweat and muscle than they are money invested. Finally, we give them an enjoyable team environment where we all interact and work with one another in a respectful and mutually beneficial way.

Why don’t traditional publishers do this? What is stopping them? Seriously, I’m not trying to give away any secrets here; I believe we have a lot to offer authors and I’m willing to stand by our reputation in the face of new competition. I just don’t get why traditional publishers still fail to understand what is required to treat their authors–ALL of their authors–well.

Look, it’s a tough marketplace out there; we can all be honest about that. For every writer that makes a living as an author, a thousand more must toil away at their day jobs while they pursue that dream. It’s tough! As a result, treating authors well, affording them the respect, dignity, and financial consideration they deserve, is more important than ever. Furthermore, giving them a place where they can inspire one another, cry on each other’s shoulders, commiserate and celebrate and motivate, is especially important. The days of leaving authors to drift alone in the wilderness is behind us, as publishers, because there’s now a name for that: self-publishing. Want to be relevant as a publisher? Here’s a crazy idea: service your clients!

Geez, I’m so sick and tired of the establishment clinging to their spoils as if they were the Gods of publishing, and the rest of us mere mortals created to do their bidding. But you know what? I’m also just about over it. Seriously, they don’t matter anymore. A new day has dawned.

If you’re an author looking for a home where you’ll be treated fairly, even if you’ve previously self-published to less than satisfying results, you should give Evolved Publishing a look. Just go to the website and surf around, and discover for yourself what we’re all about. Of course, you’ll eventually need to go to the Submissions Page.

If you’re a reader looking for quality books at a fair price, you need to stop by and check out our Catalog, because we have some seriously excellent books from some seriously talented authors. As an avid reader, you do yourself a disservice by not checking out some of the amazing works we have available.

I shall now step down from my soapbox. 🙂

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Can Writers Make a Living as Authors?

THIS POST IS FOR WRITERS:

A recent article by Jeremy Greenfield in Forbes online asks, “How Much Money Do Self-Published Authors Make?” Well, it’s a fairly simple article that touches on the macro end of the issue, but really, there’s so much more to it.

The immediate point of his article seems to be that self-published (I’ll include the whole “Indie” category here, including emerging small press) authors do not make a living at their craft. However, if you read further, you discover that most authors – period – do not make a living at their craft, regardless of which route they’ve taken to publish.

The figure he presents for self-publishing is an annual median income (I’m assuming this is a “net” figure) of “under $5,000.” That would seem to be his Ah-hah! point – self-publishing is bad (After all, why else would he use the title he did?). However, he then goes on to say that traditionally published authors earn an annual median income of $5,000 to $9,999. Anyone “making a living” on that?

So the real point of his article is that few writers actually make a living as authors.

To which I say, “No surprise there.”

It’s actually always been that way in the publishing industry. A few superstars make gazillions of dollars, and the rest make a little on the side while continuing with their day job. Nothing new here.

What’s new is that more authors can actually take a shot at being in that elite group of authors who do make a nice living. In the past, writers were stuck playing the literary agent/traditional publisher lottery. Now, they have options. Furthermore, I would argue that if they really do it “the right way,” they improve their odds significantly.

THE RIGHT WAY

I sometimes get the feeling that writers get sick of me making this point: the reason most self-published authors fail (in the long run) is that they simply do not go about their business as proper professionals. Why do I think some are sick of that point? Emails like this one are a hint: “I’m so sick and tired of you saying that all self-published work is crap!” Okay, I’ve only received one such email, and just to be clear: I have NEVER said that. I’ve said that “most” self-published work is crap. 🙂

One of the nice things about the new market opportunities for authors is that a lot more good work is making it into the marketplace, and into readers’ hands. A lot of talented folks are discovering that they don’t have to wait to win the traditional publishing lottery to become authors. One of the bad things about the new market opportunities for authors is that anyone can now publish last week’s grocery list – it’s cheap and relatively easy.

The result is a flooding of the market – more good stuff (Great!), but an absolute boatload of utter crap to go along with it.

This, of course, tends to drag down those “median” numbers that Mr. Greenfield cited in his Forbes article.

Yet consumers are not dummies. You might fool them for a short time, but in the end, if you publish crap, consumers will bail on you as if you were Typhoid Mary herself.

It’s actually pretty simple: those who write good stories, make a sincere effort to have it professionally edited, and who put up a professional cover as the face of that book – in short, those who invest in their business – can expect to improve their odds of ultimate success many fold. You’ll note I used the word “ultimate” in that last phrase. Why? Because it’s even rarer for an author to take off after just one book. Usually, an author must have three, four, even five books available before consumers really take note of them in a big way.

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Success in this business is hard as hell; let’s just be honest about that. However, it’s not impossible – not by a long shot. If you’re dreaming the dream, then go about your business, do it the right way, and work toward that day when you can say that you defied the odds.

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eBooks vs. Print Books – The Continuing Debate

THIS POST IS FOR WRITERS and READERS:

The debate over whether eBooks will eventually dominate the market, relegating print books to a niche market serving primarily hardcore bibliophiles, and perhaps parents to read with their kids, is settled in my mind. I no longer believe it’s a question of if it will happen, merely when.

The “Star-Trekification” of America, and the world, is well underway. There’s no turning back from technology; it pushes or pulls us, depending on our stance.

However, the full industry transition is by no means complete, as the infographic below shows. This was produced by Greg Vang of Coupon Audit, and it contains some interesting snippets of data. Enjoy.


Are E-Books Better Than Hardcover Books: Comparison

This Infographic is produced by Coupon Audit and Lane Diamond.


Copy/Paste the coding below if you’d like to share this infographic.

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Are there too many books out there, or never enough?

Dear Reader, we striving, emerging authors need you.

Prompted by a recent Facebook post, I just checked one author’s listings (she happens to be self-published) at Amazon, and she has 3 books out, the highest ranked of which is #972,xxx. That means she sells about 1 copy every 2-3 months. Her other two books are even worse. So no one is reading her books.

Yet she mentioned in a recent post that her 4th book is coming soon, and she’s all excited.

I’m not sure what to make of that. Part of me wants to say, “For God’s sake, go back to your day job and stop muddying-up the market for everyone.” Yet another part of me wants to say, “Way to stick to it.”

Sadly, one has merely to sample her work to understand the first part of the problem: no editing. It is simply rife with bad structure and grammar. And the covers are… err… not good. She’s trying to make her way completely on her own, without professional help, and not making it at all.

Yet, as a fellow author, should this bother me? Does it really muddy-up the market? Will you, Dear Reader, still find what you’re looking for in the vast sea of reading options? Will my book stand out because of its polished, professional presentation? Will you, Dear Reader, find it difficult to find the gem-like drops (he says not-so-modestly) amidst the ocean of poor work?

Honestly, I’m back and forth on this, and haven’t quite decided on the right answer. Some instinct deep inside me, however, believes that if the process becomes too confusing and disappointing for readers, they’re simply going to revert to their old stand-bys and give up on discovering new authors. This, of course, would be bad news for those of us newbies who are seeking to step into that light.

Yet one surefire method remains for us to find our way out of the abyss: word of mouth. Yes, if someone reads my book, and enjoys it, she’s likely to mention it to someone else, who might then give it a try. This is a time-tested and effective method of of bringing a new author out of the darkness. The problem with that, of course, is that if the author doesn’t have a great level of visibility out there in the world, and people are slow to find him in the first place, this process can take years.

Is there a viable alternative (without spending thousands and thousands of dollars on advertising)? Probably not.

So, Dear Reader, you now understand why it is so important to all of us authors that you post a review at Amazon, or Barnes and Noble, or iTunes, or Kobo, or Goodreads, etc. You also know why we love you when you say to a friend, “Hey, have you read this book? It’s awesome!”

And, of course, we authors must continue to write. The author I mentioned above has that part of the equation right, if not the others. I’ve been struggling with that due to time constraints, but am determined to get my sequel out soon. For now, I’ll just have to hope that more people discover Forgive Me, Alex and feel compelled to shout from the mountaintop, “You must read this book!”.

Then, I must get The Devil’s Bane out soon.

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My Take on the Indie Publishing Industry

Today, I put on my hat as Publisher and Executive Editor at Evolved Publishing, and posted a rather lengthy piece on the state of our industry, and how aspiring authors, or emerging authors, or floundering authors, can still make a go of this business. Come on over and take a look.

It’s not all kittens and roses, but it’s an honest assessment.

The Future of Publishing: How to Survive and Prosper as an Indie

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